Some items you shouldn’t have missed from this past week:

 

Crowd­booster — The Best Free Social Media Mon­i­tor­ing Tool I’ve Seen So Far by Clyde Smith | Hypebot.com

Crowd­booster, which has a free basic account option ideal for DIY’ers, offers a dash­board for keep­ing up with how well you’re doing on Twit­ter and on your Face­book Page. Crowd­booster also gives rec­om­men­da­tions on when to tweet for best results. Though there are a lot of social media tools out there, Crowdbooster’s the best free tool in this area I’ve checked out to date.”

Is Anti-Marketing Right For Your Band? by Derek Miller | MusicThinkTank.com

The Atlantic did a killer piece that high­lighted the trend towards bands using Anti-Marketing.  Short Ver­sion: Some indie bands are pur­posely obscur­ing their names, hid­ing their faces, and refus­ing inter­views as a means of image-management.… Anti-marketing is a valu­able tac­tic. It’s a pressure-release valve for when you feel that the press is going a lit­tle too far in their pro­mo­tion of you. How to make the call when you’re get­ting extrav­a­gant praise is the real chal­lenge here.”

Band­Page Joins with Bandsin­town, Song­kick, and Son­i­cLiv­ing to Bet­ter Con­nect Bands and Fans on Face­book | RootMusic.com

Root­Mu­sic, the devel­oper of the #1 Music Appli­ca­tion on Face­book, Band­Page, announced today they have upgraded their app with a new multi-platform tour­ing inte­gra­tion. Incor­po­rat­ing the tech­nolo­gies of three of the top tour­ing web­sites on the web: Bandsin­town, Song­kick, and SonicLiving.

The upgrade allows fans on a Band­Page to see which of their friends are attend­ing a show; cre­ates the abil­ity to RSVP for the show; and then brings the event into their friend’s feeds regard­ing the con­cert. This dri­ves more engage­ment for a musician’s show, as well as let­ting fans know about shows they can see with their friends. Once the friends are at the Band­Page of their favorite artists, they have the oppor­tu­nity to RSVP and buy tick­ets at their BandPage.”

 

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